The idea of watching two Will Smiths battle each other for two hours is enticing. The trailer was enough for me to head on into the theater on opening night. The movie poster, flashing multiple Smiths and promising epic, superhero-esque showdowns, was a bit of icing on top. It was hard to turn down this movie, especially watching it on a big screen.
Gemini Man, Ang Lee’s directorial disaster, is a fun movie, but only part of the time. That’s the issue. It brings together elements of a successful movie: Will Smith being charming, Will Smith being an action hero, Benedict Wong being reliable, Mary Elizabeth Winstead being a badass, Ang Lee being a visionary, and even Game of Thrones’s David Benioff being a main-stage writer.
The movie opens on Smith, playing Henry Brogan, a fantastic name for an action movie lead. He gets his 72nd confirmed kill by shooting someone long-distance on a moving train. He goes back to his home in Georgia, though not one person in this film has a Southern accent, and puts up a birdhouse. He’s an animal man.
So much of this movie is ridiculous, and the chief problems are with the script, but we’ll trudge on. He cracks open a Stella, as Brogan has to be a beer man, and is set to retire from a life of governmental assassin work.
Smith soon finds out that he didn’t kill a terrorist, but rather a biologist! Then, his friends die, he gets hunted by his own government agency, grabs Danny (Winstead), and we’re off. A few fantastic things happen in the first 30 minutes.
- Brogan is seen drinking Stella Artois, Budweiser, and Hoegaarden. He’s drinking beer throughout the movie, and in the final scene, Budweiser boxes are blown to smithereens by gunfire. Lots of beer in this movie.
- When Brogan wakes up to find that his house is being surrounded, he’s fully clothed. When he wakes up Danny, she’s fully clothes, yet he says to her, “Get dressed.” That’s actually hilarious and no one can say otherwise.
- Brogan and his friends always use the same line when they cheers when taking a shot. “To the next war, which is no war.” How can you not love that?
- Ray Charles’ “I Got A Woman” plays and it’s truly not relevant but just a great song.
None of the above make this a better movie in terms of cinematic storytelling, but they do make the experience much more enjoyable.
The rest of the story plays out without much surprise: Brogan begins being hunted by Junior, his younger clone, and they have a few huge fights. Brogan convinces Junior that he’s being used and then they team up to take down the bad guy. One of the fights deserves a bit more attention though: the motorcycle chase.
The motorcycle chase is the best scene of the film and once it’s over, you wish you could watch it again. The younger clone, Junior, chases Brogan through side streets and busy streets and on rooftops, all while both are riding motorcycles. It’s fast-paced, fun, and entertaining as can be. It’s action movies at their best.
Outside of the that chase scene, the rest of the film ultimately falls flat. The gimmick of two Will Smiths begins to fade and you’re wishing the runtime was 20 minutes fewer. The dialogue is formulaic and the characters aren’t given a chance to grapple with the questions that could’ve been asked. Smith isn’t allowed the opportunity, by Ang Lee, to breathe life into either of the two roles, regardless of his commitment and stardom within the film.
The acting isn’t bad by any means by any of the main or supporting characters, and the cloning technology didn’t take me out of the film until the final scene. The action sequences were big, as promised, but the payoff was minimal. Our connection to Brogan, to Junior, and to this world was small and untethered. Not even a third Will Smith brought me the joy it should have.
The Will Smiths deserved better.